#107 Fathers Sons and Brothers


My father and his older brother William C.
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“Fathers, Sons, and Brothers” is a straightforward song that earnestly and forcefully preaches brotherly love. While it doesn’t add much to the story, it conveys an attitude reset on my part as I got sober and started reflecting on my actions and behavior over the years. I was working on this song when the shocking footage of George Floyd’s death was aired on national networks, and it served as a way for those of us working on this recording to reckon with his death.

The spark for the song came to me after watching a shared video of a boy’s birthday party on social media. When the first piece of cake is sliced, the boy gives it to his little brother as an act of kindness. The little brother, about five years old, bursts into tears because he adores his older brother and is overwhelmed by the kindness and respect shown to him. This made me think of my father, who surely loved his older brother in the same way. When his brother was murdered, it devastated him (see #99 Piney Woods). Although he never really talked to me about his brother’s murder until the last years of his life, I know it was something he carried with him his entire life. It made him forever a little sad, a little sweet, and always on alert or fearful that something terrible could happen.

Lisa Kekaula of the Bellrays. Photo CC by Pacifier https://commons.wikimedia.org/wiki/User:Pacifier

There is also an interesting backstory here. The recording is a collaboration with a “sibling” band, The Bellrays, who emerged from the same Inland Empire music scene in California. The two principals, Lisa Kekaula (vocals) and Bob Venom (guitars), are long-time family friends. The recording is a reunion of sorts, bringing together not just Lisa and Bob, but members of Cracker and a far-flung cast of musicians I’ve worked with over the years. This was at the height of the COVID lockdowns, so Luke Moller, who arranged and played the strings, sent in his parts from Australia, and Leith Fleming-Smith played that insane keyboard solo from his home in Nova Scotia.

Fathers sons and brothers

Each of us
All of us

Everyone

Fathers sons and brothers

Each of us
All of us

Everyone

A young man filled with pride and vanity

Feeling like I must always compete

Took me way too long to understand

This in my heart

Every man is someone’s father brother or son

Live by this

You will be
Infinitely less an asshole

Father sons and brothers

Each of us

All of us

Everyone


Father sons and brothers

Each of us

All of us

Everyone

Help me reach across the chasm

Help me hear the signal in the noise

Help me put aside

All my pettiness and ego

Every man is someone’s father

Brother or son

Live by this
You will be
Infinitely less an asshole

Fathers sons and brothers

Each of us

All of us

Everyone

Fathers sons and brothers

Each of us

All of us

Everyone
 ++++++++++++++++++++++
Leith Fleming-Smith: organ
Bryan Howard: bass
Lisa Kekaula: vocals
David Lowery: guitars and vocals
Luke Moller: strings and arrangement
Carlton Owens: drums
Velena Vego: Tambourine and shaker
Bob Venum: guitars and vocals

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